BB16 Week 3 Wrap: Native hashtags vs. the newcomers

Since our first BB16 blog, there has been two eliminations and a lot of drama – in the house and online. We are fairly strapped for time at the moment trying to get a White Paper out and about a million other things, in the next week. That being said, we’ll try to update on the important BB16 happenings as they… happen… and maybe try some of the new work with this data as well.


First, a look at the week that was.  Overall, the generic hashtags are being used consistently and in true Big Brother fashion, more hashtags are being used everyday, often introduced by CBS. Just this week I had to add, #BBTracker as well as a few running hashtags, #ZackAttack (a nickname for HG Zach), #Zankie (showmance between Zach and Frankie), #ZankieFallOut (the potential end of Zach and Frankie), and #EvictionPrediction. It’s a wonder why CBS continues to add hashtags that could possibly be steering people away from using their generic ones. What’s wrong with a simple #bb16?


Being elimination night, Thursday seems to be the peak show of the week with close to double the amount of tweets of the other two days. We will look at whether the ‘big night’ remains consistent in coming weeks in the interest of finding out whether context or type of show are more important for tweet numbers.


Total number of tweets containing the generic BB hashags for the week 6 - 12 July.

Total number of tweets containing the generic BB hashags for the week 6 – 12 July.


Taking a closer look at the Thursday show – conversation remained fairly consistent with no major spikes, just a lot of volume.


thursday shw

Total tweets by minute for the Thursday show.


HG Twitter Accounts

The graph below shows us which housemates’ twitters are getting the most mentions, and unsurprisingly at the top, is Joey, the first eliminated contestant voted out in a unanimous 13/13 vote. Two down the list is the most recently voted out contestant Paola, which we are guessing will probably be the most talked about by this time next week if there is a pattern. We saw this last year when HG Kaitlin was voted out early yet continued to be one of the most talked about HGs for the remainder of the series, largely thanks to her involvement in the racial-slur-scandal and somewhat thanks to her social media presence.


Contestant Mentions

Number of times contestant Twitter accounts have been mentioned; 6 – 12 July.


Something new: Users by Timezone

Something we became interested in during last year’s BB broadcast was the difference in tweeters from one side of the US coast to the other, this year also considering the top 10 timezones joining the conversation with the generic hashtags:


Top 10 timezones using the generic BB hashtags on Twitter; 6 - 12 July.

Top 10 timezones using the generic BB hashtags on Twitter; 6 – 12 July.


Eastern time tweet by far the most of any of the timezones which fits with the documented distribution of the US population (47% live in Eastern Time). However, people in Mountain Time are tweeting more about Big Brother than expected with their distribution being only 5.4%, but publishing 9.45% of the total tweets regarding Big Brother. We’ve established that the Quito (Ecuador) timezone aligns with Chicago / Central time, so those users who say they’re in Quito, likely aren’t.


Timezone of total


Until next time…

Big Brother 16 #Kickoff

The Big Brother 16 ‘kickoff’ (with its own hashtag) and premiere (also with its own hashtag) really got the ball rolling for this year’s version of the most engaging show on American TV.

A week prior to the premiere, we set up a Twitter collection machine to track off all of the current @mentions and hashtags for BB16, adding more as they were created as well as the contestant names and Twitter accounts.

Generic hashtags at this stage include: @CBSBigBrother, @BBHOH, BB16, bblf, bbmvp, BBkickoff, BBAllNighter, BigBrother, BigBrother16, bbhoh, BBselfie, BBAD, #HOH:


Tweets per minute



The graph above is a breakdown of tweets containing the generic hastags per minute over 12 hours around the Big Brother premiere night one of two.

Tweets peaked at just under 80k for the hour, with the first spike being a mass retweet of pop star and contestant’s sister, Ariana Grande:


The second (expected) peak occurred at 8:01pm, as the show began, and the largest peak was due to the hugely built up ‘twist’ reveal and another mass retweet of Ariana Grande:   Ariana Grande RT #2



Controversy, again

Houseguests were revealed only a few days prior to the premiere, probably to spark conversation as well as bump up live feed subscriptions at the last minute. As we discussed around this time last year, controversy is usually no mistake in the reality context, particularly for shows like Big Brother that rely on it. The early release of HG names sparked instant controversy with the network already being under scrutiny for choosing Frankie Grande, who already has a lot of public exposure as a YouTube personality and brother of Ariana Grande. The graph above clearly argues that controversy is the best way to cause online discussion, with both peaks being due to the casting of Frankie.


CBS has also made another bold decision in revisiting the race scandal of last year by introducing another controversial cast member who has already gained a lot of support, and hate, on Twitter:


Screen Shot 2014-06-29 at 3.27.00 pm


Indeed, we can track the success of CBS’s efforts in creating controversy by looking at contestant mentions across the two nights:


Contestents Total Volume


As predicted, Frankie Grande was the most talked about HG thanks to both the controversy of his casting and the mass retweeting caused by his sister’s Twitter following. Because contestants were released into the house over two nights, a breakdown of each night is below:





In this graph, the Twitter conversation about “Frankie” almost mimics the overall Twitter conversation in the earlier graph indicating he was not only the most talked about HG but also the most talked about thing overall.





On the second night, tweet numbers mentioning contestants was comparatively a lot lower than the first night, with Caleb being featured in a maximum of 462 tweets, and Zach, 459 tweets. Other contestants were also more likely to get mentioned, although Frankie (purple line) remains relatively high despite being introduced the night before.


Sentiment in tweets

Another interesting thing I’ve noticed is the increase in what I’ll call ‘positive intention’ tweets from last year to this year. People seem to be actively suggesting that fans  be nicer to one another and the contestants this year, using the words  ‘support’, ‘love’ and even a hashtag; ‘#beNICE’. While the sentiment is evident across Twitter and Big Brother blogs now, it will be interesting to see how #beNICE fares a week or two into the show when people start to take sides.


That being said, CBS Network and BB fans have already created a number of new or, ‘running’ hashtags for fans to use to takes sides like #BBFrankie and #TeamFrankie, as well as what will likely be temporary hashtags to talk about current alliances in the house like #TeamAmerica (which we’re not tracking as it’s widely used elsewhere) and #TheCrazy8s.


A round-up of recent work: publications, presentations & blogs

It’s been a while since updates on this blog, largely because our research on sabermetric approaches to social media metrics for television has taken a largely commercial turn, which has limited the ‘blogability’ of our work. More on that in the coming weeks, and I also have some work to share shortly on applying these ‘big data’ approaches beyond the development of the the commercial project. But, for now, a round-up of some recent presentations, which also includes some hints at the direction the commercial project has taken:


Since I last wrote here, there have been two new publications, both co-authored with my QUT colleague Axel Bruns. Firstly, a chapter / online publication in the SAGE Research Methods series, entitled “Identifying the Events That Connect Social Media Users: Charting Follower Accession on Twitter”, which you can view online here (library access required). On a similar note, and freely available, we authored along with CCI data scientist Troy Sadkowsky, a piece for First Monday entitled “Towards a methodology for examining Twitter follower accession”, which is also online.


Over the last month, much of the QUT Social Media Research Group has embarked on a European tour, and indeed I write this blog post from Amsterdam. On this trip, I’ve given two key presentations so far. Firstly, at the Göttingen Centre for Digital Humanities, with whom we are currently collaborating on a Twitter-based research project, Axel Bruns, Jean Burgess and I gave a presentation at a public workshop entitled “Mapping Online Publics: New Methods for Twitter Research”, the slides for which are below:

From Göttingen I headed by train to Amsterdam, for the Social Media and the Transformation of Public Space conference at the University of Amsterdam, where I presented some of my current work with Katie Prowd on ‘hype’ and ‘The Hypometer’, which has been the focus of our recent commercial work. Although for hopefully understandable reasons much of the methodology remains under wraps, we were able to present an outline of the work, the app we have developed, and the two key arguments: entertainment industries are still too focused on the ‘art’, and are underusing data, and that traditional metrics – which are primarily counting metrics (‘retweets’, ‘tweets’, ‘likes’, ‘shares’) are – in the same way as 1950-1990s Baseball statistics, a blunt instrument. Further, we contend that applying sabermetric techniques can provide a more nuanced way to understand social media engagement with television (and movies, and sporting events, etc..); a set of approaches we’re calling ‘telemetrics’. The slides from that presentation are below:

Blog Posts
Again, going back to January, there are two external blogs to point to, with many more to come. The first, again co-authored with Katie Prowd, was reacting to the controversy around the Australian series My Kitchen Rules on social media, drawing parallels to British and US series of Big Brother and the Jade Goody controversy many years ago. You can read that blog at The Conversation. And just a couple of days ago, Katie & I published the first of a series of articles discussing the World Cup on social media, with the first concentrating on the dominance of brands in the early Twitter conversation. That article is also on The Conversation, with a slightly expanded (but older) version on the Social Media Research Group blog.

And with that, I’ll end this update. Next week I’m off to TVX in Newcastle, a industry/academic hybrid conference where I will talk more with industry folks about the Hypometer and Telemetrics; and then to Cyprus on a week’s leave. I’ll leave you with this ‘teaser’ of The Hypometer:


Twitter Excitement Index & Aussie TV Premieres

Welcome to another week of Telemetrics updates. In this blog we’ll take a quick look back at the last set of ‘predictions’, explore the Twitter Excitement Index and finally take a look at this Monday’s Australian TV premieres, The Block & My Kitchen Rules, both alone and in the context of other recent Australian Reality TV ‘events’.

A Quick Look Back

So, as we left things, we put out a few predictions for the week beginning January 20, as follows:



So, some hits and misses here.. The most concerning of these are Pretty Little Liars & Ravenswood, so let’s have a closer look at those, starting with Ravenswood. Essentially, I think this was an over-prediction influenced by the second half premiere, which rated at 181,200 tweets. We have now added an adjustment for these type of shows, that will highlight second half premieres in our predictor, with the option to manually exclude them where they rate significantly different. More concerning was “Pretty Little Liars”, which wasn’t a second half premiere but a regular show. Here, I think we had the reverse problem. Because there weren’t enough shows in the past two months (only 1 after the second half premiere), our prediction algorithm defaulted to include episodes from the previous series, where 300-400k tweets was the norm. Combining this with the 488,000 tweets from last week, this seemed a reasonable estimate, but the show actually nearly doubled that performance — it will be interesting to see how Pretty Little Liars fairs over the coming weeks.

The other errors of over 10% were both reality shows, and here I’m tempted to put the predictions on hold until we’ve established a measure of season context. Just as Big Brother follows a weekly cycle of Daily Shows, Nomination Shows and Eviction Shows, shows like American Idol, The Voice etc follow a somewhat standard season format between auditions, performances, eliminations and so forth. Modelling this is on my to-do list, but it’s after the establishment of the Twitter Excitement Index and indeed the modelling of regular season shows with their premieres, finales and other formats. Time and other priorities didn’t allow us to get predictions out for this week, and I won’t do so retrospectively, but we’ll get some out either late this week or early next.

Twitter Excitement Index

One thing we did finish last week was the establishment of our Twitter Excitement Index, which is a measure of the volatility of conversation on Twitter based on the principles of Brian Burke’s Excitement Index at Advanced NFL Stats. Over a few weeks Katie Prowd and I went through a few variations on this approach, looking at different measures to see which best captured the patterns in Twitter conversation, and I also owe thanks to Patrik Wikstrom for his help in tweaking our statistical approach. Essentially though, the theory here is that if you have two shows, they may both average 100 tweets per minute, but have very different engagement levels, as seen in this dummy data:



In the first graph, the activity is ‘spiky’, that is, every other minute people are prompted to tweet, while in the second there is an underlying level of 100 tweets, with minimal variation around that average, suggesting a constant stream of conversation but no particular moments which provoke users to tweet. These should be at opposite ends of the spectrum, and with our Twitter Excitement Index, the top graph would see a TEI of 9.9, while the second gets a TEI of 0.5. The scale here has been calculated to vary between 0 and 10 for presentation purposes, although in practice from our test data it would seem very unusual for a show to achieve a TEI of over 5.

The Australian Premieres

We are currently working on adjusting our metrics to work with Australian television, and this weeks premieres of The Block and My Kitchen Rules gave a good first test for this approach. But first, let’s cover the basics, and look at how these shows performed on Twitter:

Volume Graph

As you can see here, My Kitchen Rules clearly won the night, both in terms of total tweets and audience peaks, from The Block in second place. The third line here represents The Biggest Loser, which wasn’t premiering but did air an episode in competition with the other two reality shows. The twitter audience for The Biggest Loser has fallen off a bit since its premiere, but this performance must be considered low by any standards. A similar picture was seen in the TV ratings, with My Kitchen Rules reaching 2.4m viewers, The Block 1.1m, and The Biggest Loser just 560k. However, it’s interesting to compare these to other recent reality ‘events':


What is evident here is that Big Brother still owns the crown for Australian reality television, at least on Twitter, with both the Premiere and Finale easily outperforming the launch episode of My Kitchen Rules. For Channel 9, the performance of The Block suggests that the reality show success they achieved with Big Brother is not easily transferable to other shows, and for Channel 10 both the performance of Masterchef and Biggest Loser must be a cause of some concern… A similar pattern can be seen in the unique audience for Monday’s shows (n.b. the percentages add up to over 100% because of viewers who tweeted about multiple shows):


Finally, the launch of these shows also gave us an opportunity to test some of our new metrics, and after a slight hiccup caused by time zone confusion (the TEI saw the drop-off to QLD discussion as a good thing for the show, viewing NSW levels as large spikes), we ended up giving a slight win to MKR, although both ranked before the season launch of The Biggest Loser. The TEI does not take into account tweet volume, only measuring the volatility of conversation among the audience that *did* watch the show, and so should generally be read in combination with the audience size to properly understand the conversation around a show.


Mumbrella also covered some of this, and you can view their article here.

And so wraps another week in Telemetrics.. until next time!

Incremental Updates & Tweets Above Replacement: The Week in Telemetrics

It’s Friday here in Brisbane, and so time to reflect on the past week (or 10 days), and offer some predictions for the week ahead. In general, the last 10 days has primarily been concerned with adding additional fields and detail to our data store, as the first stage in a process to investigate the relative importance of each of the factors impacting on Tweets, in order to better account for them in both our historic analysis and future predictions. We have pulled data from a number of sources, and so a significant amount of time over the past week has been spent scraping and formatting the data, establishing a key system so that they become relational, and spot-checking (and using excel formulae) to verify the integrity and accuracy of the data:


Evaluating our predictions

But, let’s start this recap with a look back at last weeks predictions, and the lessons we can learn from them. In total, 9 of the shows we predicted were present in the Nielsen daily Top 5 during the week:




Immediately obvious (and hinted at last week), is that the system copes badly with Second half premieres. We had deliberately excluded season premieres and finales from our predictive data set, but it now appears clear that second half premieres (i.e. after a show goes on a winter hiatus, but within the same season) also receive a significant boost in tweets. With our new data (scraped from EpGuides & Wikipedia), we are now able to systematically identify these episodes, and plan to evaluate whether we can make a simple adjustment to account for the boost such shows receive. Overall, our average error for the week here is 33.19%, however if we exclude the second half premieres that falls to 9.21%, which is within the realms of what we were expecting, and easily out-performs the simple average of the last 10 or 4 shows:




Here, taking a simple average of the last 10 episodes for each of the shows above, we see an overall error of 35%, which falls to 25.5% once the second half premieres are excluded, a much larger figure than our 9.21%, although of course the sample sizes here are still small – one of the major challenges of these predictions is guessing what the Top 5 Nielsen will report are, particularly given that Nielsen report the top 5 by number of ‘impressions’, rather than by tweets.

Filling out the last two months: Replacement Value & Tweets Above Replacement (TAR)

One significant issue we had been experiencing using our preferred “average weighted tweets over past two months” (of episodes) metric was that of small sample size. While I am reasonably confident that we can demonstrate the last 8 shows are a better estimator than the weighted average of all shows in our database, for shows we are not manually tracking there can be many holes in this data. A show which barely scratches the Nielsen top 5, and isn’t in our tracking system, may be missing data for 75% of the last two months shows, as seen here:



If we, as we have previously, simply don’t count shows for which we have don’t have tweet figures, we are heavily biasing the estimates. As you can see in our prediction data above, we predicted 10,245 tweets last week for “The Carrie Diaries”, which turned out to be a 12% over-estimate. A better solution here is to adapt a concept from sabermetrics called “replacement value” . Essentially, in baseball and other sports, replacement level is defined as the production you could expect from signing a “free agent”, that is – the next best player who is not under contract to any major league team. This allows, for example, to predict the impact of an injury, trade or contract expiry on a teams production, but also to measure other players against this level; for example through Wins Above Replacement. I plan to return to the latter concept, or in this case Tweets Above Replacement (TAR) in the future, as a means of measuring how well a show does in comparison to throwing a “replacement level” show on in that timeslot.

For our current purposes, and the Carrie Diaries example, we are more concerned with predicting how many tweets a particular episode may have got, despite the final statistics not being (freely) available. However, we do know what the bottom ranked show on Friday is, which – for example – was 3,700 tweets on 15th November, 1,600 tweets on 22nd November, and 6,600 tweets on 6 December. However, here too, we are slightly thrown by Nielsens method of reporting, as the Tonight Show was ranked fourth with 1,600 tweets, but ahead of BBC America’s “An Adventure in Space and Time” which ranked 5th with 9,200, based on number of impressions.

So, for now, let’s call the replacement value for Friday nights 5,000 (we’re currently calculating replacement values for each Day/Month combination). If we plug 5,000 in for those missing episodes, instead of ignoring them, our weighted tweets formula would have predicted 8552 tweets, an error of just 5.2% compared to the previous 12.2%.

We’re probably a few days away from properly integrating this into the prediction algorithm, but we do hold high hopes for this improvement.

Sometimes you can be too precise, or the problems of small samples

Another, perhaps short lived, tweak over the past 10 days was experimenting with weekly indexes rather than monthly. The idea here was that such a system would better account for weeks such as ‘sweeps’, when networks tend to put on their strongest programming, as well as for the effect of major events such as the Superbowl, Oscars, Golden Globes and so on. Particularly with the wresting shows, such a method would also account for the cycle around events such as Wrestlemania and Summerslam, which anecdotally appear to signal increased tweeting. For much of our older data, where we have 50-100 weekly shows weekly indexes appear to offer small incremental advantages in forward-predictions over the monthly indexes utilised in the above predictions.

However, when predicting for the future (where weekly indexes can be more volatile), and for the last few months of data when we often only have 25-50 shows in a week, the volatility of this index negated such advantages and actually showed a decrease in prediction accuracy. In particular, weeks 52 and 53 of 2013 and 1 of 2014 (i.e. over the Christmas break) saw such low weekly indexes that any show that had mild success during those weeks was suddenly forecast to have season-highs in their next episode, when in actuality the index was primarily impacted by a few extremely low days over the actual Christmas holiday (particularly when we exclude sporting events – i.e. the NBA and College Football bowls which dominate American broadcasting over the Christmas period).

It may be that eventually we can recover those incremental gains, but for current purposes we plan to return to the monthly indexes. This also means we can more easily predict shows for the current month, where the index has already been somewhat established, as opposed to ‘predicting’ the monthly index itself based on historical data and trends.

Some predictions for the coming week

So, with all that said, let’s head back to the spreadsheets and give our top 10 predictions for the coming week:



Twitter Excitement Index (TEI)

Finally, in the tradition of all good TV shows, we’ll leave you with a teaser for the coming week. Based on work by Brian Burke at Advanced NFL Stats, we have developed a measure we’re calling the “Twitter Excitement Index”, which essentially measures the peaks and troughs in Twitter conversation to establish a measure of excitement. That is, a show may be averaging 3000 tweets / minute, but have a time series graph which hovers slightly above and below the average over the course of an episode – in this case, it has attracted a large twitter audience but that audience doesn’t seem to be particularly provoked by the content of the show to tweet. By contrast, a show averaging 300 tweets / minute may be spiking continuously throughout the episode, showing that people were reacting to the events as they happened (as we have seen, for example, with Big Brother 15 in our previous work). By again stripping out those factors related to audience size, we are producing a metric which analyses the reaction of Twitter users to the content of the show. But, more on this next week..

Weighted Tweet Index (WTI) — Some Predictions for the coming week

The Weighted Tweet Index (WTI) is the first metric we have created as part of the Telemetrics project. Essentially, the goal of this metric is to break raw volume numbers down into it’s constituent parts. For the moment, I don’t intend to go into too much depth on the methodology, in large part because this is an iterative process and it is subject to (substantial) change. Our data covers the period of 18 April 2012 through to the current day (well, 5 January as I write this), and comes from a variety of sources. One significant challenge of the methodology was to make data from these different sources comparable, as discussed briefly in my previous post.

Analysing the past

So, perhaps the best way to illustrate this is by way of an example:

The 1750th ranked show by pure volume, excluding specials and sporting events (more on this in a later post) happens to be an airing of the film “Space Jam” on Cartoon Network from Friday 6 July 2012. The data (in this case from Nielsen SocialGuide) records a total of 25,033 tweets attributable to the show, making it the 3rd ranked broadcast of the day. But what if that had aired on an average day, in an average month, and on an average network (taken in this case to be an average broadcast network – e.g. ABC, CBS, FOX, NBC)?

According to our current metrics, it turns out that a Cartoon Network show can expect to see about 16% of the twitter activity of an average broadcast network. Similarly, Friday’s can expect to receive around 52% of the Twitter activity of an average day (nothing new here for TV Execs, Friday is historically a dumping ground for non-performing shows), and July – being in the offseason for TV – receives 65% of an average month. Note that there’s a lot of refinement possible here: a kids movie during the school holidays (I assume) should probably be expected to do better than average, and we currently don’t account for the time of day nor what was being scheduled against it. But, for now, let’s stick with our numbers, so:

Weighted Tweets = (Old Tweets) / (Network Factor * Month Factor * Day Factor)

Therefore, new tweets = 25,033 / (0.16 * 0.52 * 0.65) = 25,033 / 0.0541 = 462,717 tweets if shown on an average broadcast network, on an average day, in an average month. With the greater degree of precision in the model (i.e. not rounding to 2 decimal places), our actual figure here is 466,805. As it turns out, once ranked by weighted tweets, Space Jam thus moves from being the 1,750th ranked show in this period to the 317th.

Predicting the Future

Much of the utility of this approach comes not necessarily from analyzing the past, though we’ll certainly do a lot of that over the coming weeks, but the ability to predict the future. Because our ‘Weighted Tweets’ figure has been stripped of much of it’s context, we can then take this figure (across all episodes that we have data for within a particular series), and apply to it the factors that will apply when it next airs. Here are two examples:

Here you can see one interface to our model. Once a show is selected at the top, historic data is pulled from the data store, and a number of metrics are calculated. Which of these metrics is the best estimator varies depending on the volume, source, and age of the data we hold. In this case, we have a number of recent episodes and so the weighted tweets for the last month were selected. We entered the day & month the show was airing, as well as the network, and (for now) set the growth factor as 1. Growth Factor is a variable that we are still experimenting with, although currently it is largely contained within the Month factor for current/future dates. Ultimately, we predicted 157,511 tweets, and when the Nielsen data became available earlier today, we saw the results:

Not too shabby. 7,000 on a total of 150,000 is a 4.80% error; for the first version of the model we’ll certainly take that. Looking at the last 10 shows, a pure average of the raw tweet totals over that time would have been 99,591 tweets, and for the last four shows 113,100 tweets, so our prediction certainly appears to be outperforming simple averages.

Both Teen Wolf & The Bachelor were essentially premieres (Teen Wolf being a second half premiere), and Wolf Watch appears to be a companion show to Teen Wolf, and so we are currently unable to predict any of those three, so let’s move on to WWE Monday Night Raw.

Here, again, we have a lot of data, with this being a weekly show, and so the monthly average was a sensible choice. Again we added in the new variables (Monday, Jan 2014 on USA), left the growth factor alone, and predicted 215,507 tweets, and the results were again quite pleasing:

We were off by 10,594 tweets, a 4.69% error, although this time the other way. It’s interesting to note that simply taking the average of the previous 10 RAW shows would have predicted 153,398 tweets, and an average of the last four shows would have predicted 165,275 tweets, so again we do seem to be on the right track.

Note here that we’re not necessarily predicting what it will get, but what it should expect to get. In part that’s because there is still a wide range of factors we don’t account for, but even as we add more refinements to the model over the coming months, there’s still one we can never really account for: content. Just as we saw in the Big Brother work I’ve published here previously (and more formal journal versions of that are still in the works), there are some things you cannot account for, such as the racism scandal that engulfed Big Brother 15 and saw a rapid increase in tweet volume.

However, in some ways knowing what a show should expect to get can be more useful, both in providing a barometer of success for networks, producers and social media strategists, and in providing industry and researchers with a list of shows which either exceed or fail to reach these levels, thus allowing an analysis of what may have contributed to the success or failure of a particular episode or series on social media.

All that said, however, we’re still very eager to see how close our predictions for the week ahead match reality.

Some predictions for the coming week

To generate these predictions, Katie Prowd has predicted the top few shows on US TV for the next week (excluding Sunday, which appears to be full of repeats), based both on the TV listings and our historic data for which shows have received the most tweets in recent weeks. Specifically excluded from this list are any shows that are either a premiere or finale, as these do not fit within the standard model we are testing at this stage (although we are currently working on refinements to allow for these).

Tuesday Bad Girls All Stars Battle Oxygen 85882
Tuesday Ravenswood ABCF 79010 *
Tuesday Snooki & JWOWW MTV 15881
Wednesday American Horror Story: Coven FX 132516
Wednesday Modern Family ABC 22054
Thursday Vampire Diaries CW 92005
Thursday Mob Wives VH1 22029 *
Friday WWE Friday Night Smackdown! SyFy 34084
Friday Shark Tank ABC 10045
Friday Late Night with Jimmy Fallon NBC 4387
Friday The Carrie Diaries CW 10245
Friday Say Yes to the Dress Atlanta TLC 4150
Saturday Saturday Night Live NBC 44745
Saturday Iyanla, Fix My Life OWN 6071
Saturday Sam & Cat NIK 4798
Saturday Huckabee FOXNEWS 438 *
Saturday Organge County Choppers CMTV 698 *
Saturday Houston Beauty OWN 3722 *
Monday WWE Monday Night Raw USA 215507
Monday Love & Hip Hop VH1 157512
Monday How I Met Your Mother CBS 17293
Monday The Real Housewives of Beverly Hills Bravo 14554


Caveat: Those with a * are generated from a small sample, and we have a low(er) confidence in their accuracy.

This list was updated on 9 January to reflect TV scheduling. No alterations were made to predictions.

We’ll check back periodically to see how these are doing over the next week, and continue to work on refinements. Until then…